Photography's Other Histories
Pinney Christopher
Photography's Other Histories - London Duky University Press 2003 - 286
1. Personal Archives
a. Relating to Photographs
b. Growing Up with Aborigines
c. When Is a Photograph Worth a Thousand Words?
2. Visual Economies
a. The Making of Professional “Savages”: From P.T. Barnam (1883) to the Sunday Times (1998)
b. Navajo and Photography
c. The Japanese Colonial Eye: Science, Exploration, and Empire
d. The Changing Photographic Contract: Aborigines and Image
e. Supple Bodies: The Papua New Guinea Photographs of Captain
3. Self-Fashioning and Vernacular Modernism
a. Figueroa Anznar and the Cusco Indigenistas: Photography and Modernism in Early-Twentieth Century Peru
b. Notes from the Surface of the Image: Photography, Postcolonialism, and Vernacular Modernism
c. Imagined Journeys: The Likoni Ferry Photographers of Mombasa, Kenya / Heike Behrend
d. Yoruba Photography: How the Yoruba See Themselves
9780822331131
Photography
770 / PIN
Photography's Other Histories - London Duky University Press 2003 - 286
1. Personal Archives
a. Relating to Photographs
b. Growing Up with Aborigines
c. When Is a Photograph Worth a Thousand Words?
2. Visual Economies
a. The Making of Professional “Savages”: From P.T. Barnam (1883) to the Sunday Times (1998)
b. Navajo and Photography
c. The Japanese Colonial Eye: Science, Exploration, and Empire
d. The Changing Photographic Contract: Aborigines and Image
e. Supple Bodies: The Papua New Guinea Photographs of Captain
3. Self-Fashioning and Vernacular Modernism
a. Figueroa Anznar and the Cusco Indigenistas: Photography and Modernism in Early-Twentieth Century Peru
b. Notes from the Surface of the Image: Photography, Postcolonialism, and Vernacular Modernism
c. Imagined Journeys: The Likoni Ferry Photographers of Mombasa, Kenya / Heike Behrend
d. Yoruba Photography: How the Yoruba See Themselves
9780822331131
Photography
770 / PIN
