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Photography's Other Histories

By: Contributor(s): Material type: TextLanguage: Eng Publication details: London Duky University Press 2003Description: 286ISBN:
  • 9780822331131
Subject(s): DDC classification:
  • 770 PIN
Summary: 1. Personal Archives a. Relating to Photographs b. Growing Up with Aborigines c. When Is a Photograph Worth a Thousand Words? 2. Visual Economies a. The Making of Professional “Savages”: From P.T. Barnam (1883) to the Sunday Times (1998) b. Navajo and Photography c. The Japanese Colonial Eye: Science, Exploration, and Empire d. The Changing Photographic Contract: Aborigines and Image e. Supple Bodies: The Papua New Guinea Photographs of Captain 3. Self-Fashioning and Vernacular Modernism a. Figueroa Anznar and the Cusco Indigenistas: Photography and Modernism in Early-Twentieth Century Peru b. Notes from the Surface of the Image: Photography, Postcolonialism, and Vernacular Modernism c. Imagined Journeys: The Likoni Ferry Photographers of Mombasa, Kenya / Heike Behrend d. Yoruba Photography: How the Yoruba See Themselves
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Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
Books School of Fashion Technology 770 PIN (Browse shelf(Opens below)) 25% Available (not for issue) SOFT-BK-4343

1. Personal Archives
a. Relating to Photographs
b. Growing Up with Aborigines
c. When Is a Photograph Worth a Thousand Words?
2. Visual Economies
a. The Making of Professional “Savages”: From P.T. Barnam (1883) to the Sunday Times (1998)
b. Navajo and Photography
c. The Japanese Colonial Eye: Science, Exploration, and Empire
d. The Changing Photographic Contract: Aborigines and Image
e. Supple Bodies: The Papua New Guinea Photographs of Captain
3. Self-Fashioning and Vernacular Modernism
a. Figueroa Anznar and the Cusco Indigenistas: Photography and Modernism in Early-Twentieth Century Peru
b. Notes from the Surface of the Image: Photography, Postcolonialism, and Vernacular Modernism
c. Imagined Journeys: The Likoni Ferry Photographers of Mombasa, Kenya / Heike Behrend
d. Yoruba Photography: How the Yoruba See Themselves

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