• BETWEEN DREAM AND REALITY
• 1900- 1914
Woman as a Flower
Rational Dress
Orientalism and Opulence
Paul Poiret
Femmes Da La Mode
• CRINOLINES AND MASCULINE CLOTHING
• 1915 -1921
The Wartime Crinoline
Coco Chanel
Avant-Grade Clothing
Erte: Art Deco Master
• A STYLIZED MASQUERADE
• 1922 – 1929
Feminine and Masculine
Sportwear
Fashion in Motion
Madeleine Vionnet
The Little Black Dress
• NEW ILLUSIONS
• 1930 – 1938
Elsa Schiaparelli
Wedge and Tringle
Salvatore Ferragamo
Folded, Draped, and Gathered
Charles James
• BETWEEN UNIFORMITY AND GLAMOUR
• 1939 – 1946
Modish Makeshift
Hollywood Sets the Trends
Costume Jewelry
Claire McCardell
Ready – To Wear`
• The “New Look”
• 1947 – 1949
Christian Dior
Haute Couture
Cristobal Balenciaga
The Cocktail Dress
• NEW DEPARTURES AND REDISCOVERIES
• 1950 – 1960
Rane Gruau
Italian Haute Couture
Woman or Teenager
T-shirt, Jeans, and Leather Jacket
Accessories
• POP MUSIC, SPACE RACE BODYSUITS AND SECOND HAND
• 1961 – 1967
Swinging London
The Miniskirt
Second Skins
Street Style
Space Age
Op Art Clothing
Fashion Models
Acid Colors, Paper, and PVC
Pop Art Fashion
Drugs, Dreams, and Dusty Colors
• THE LOOKS
• 1968 – 1979
Radical Chic
The Folkloric Look
Yves Saint Laurent
Military Style
Fashion Gets Physical Geoffrey Beene
Kenzo: East Meets West
United Colors of Benetton
Disco
Vivienne Westwood
Punk
• DRESSING FOR SUCCESS / NO FUTURE
• 1980 – 1990
The Oversized Look
Dress for Success
Comme Des Garcons
Kari Lagerfeld
Pouf, Bustle, tutu, and Crinoline
U.S. Lifestyle
Donna Karan
Moschino
Jean-Paul Gaultier
Stretched
Gianni Versace
Issey Miyake
The Deconstructionists
• THE GLOBAL VILLAGE AT THE END OF THE MILLENNIUM
• 1991 – 2000
Grunge
Fairy-Tale Couture
Purism; Clean Chic
Transparent Looks
Helmut Lang
Transparent Looks
Helmut Lang
Designer Labels
Prada
Global Village
Hip-Hop
Retro-Modernism
John Galliano
High-Tech Chic
New Millennium
Appendix