01297nam a22001817a 450000500170000000800410001702000180005804100080007608200130008410000230009724500340012026000400015430000080019436500190020252008570022165000160107870000210109420250313155857.0250310b        |||||||| |||| 00| 0 eng d  a9780822331131  aEng  a770bPIN  aPinney Christopher  aPhotography's Other Histories  aLondonbDuky University Pressc2003  a286  b2351.26cRs.00  a1.	Personal Archives 
a.	Relating to Photographs 
b.	Growing Up with Aborigines 
c.	When Is a Photograph Worth a Thousand Words?
2.	Visual Economies
a.	 The Making of Professional “Savages”: From P.T. Barnam (1883) to the Sunday Times (1998) 
b.	Navajo and Photography 
c.	The Japanese Colonial Eye: Science, Exploration, and Empire 
d.	The Changing Photographic Contract: Aborigines and Image 
e.	Supple Bodies: The Papua New Guinea Photographs of Captain 
3.	Self-Fashioning and Vernacular Modernism 
a.	Figueroa Anznar and the Cusco Indigenistas: Photography and Modernism in Early-Twentieth Century Peru 
b.	Notes from the Surface of the Image: Photography, Postcolonialism, and Vernacular Modernism 
c.	Imagined Journeys: The Likoni Ferry Photographers of Mombasa, Kenya / Heike Behrend 
d.	Yoruba Photography: How the Yoruba See Themselves 

  aPhotography  aPeterson Nicolas