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  <titleInfo>
    <title>Ties</title>
  </titleInfo>
  <name type="personal">
    <namePart>Hart Avril</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">xx</placeTerm>
    </place>
    <place>
      <placeTerm type="text">London</placeTerm>
    </place>
    <publisher>V &amp; A Publication</publisher>
    <dateIssued>1998</dateIssued>
    <dateIssued encoding="marc">9999</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">und</languageTerm>
  </language>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>114</extent>
  </physicalDescription>
  <abstract>•	Acknowledgements
•	Introduction
•	Source for the Study of Ties
•	Chapter One
Bands, cravats &amp; the Steinkirk or Neckcloth: 1650-1720s
•	Chapter Two
Stocks, Solitaires, neckcloths &amp; Cravats: 1720s-1800
•	Chapter Three
Cravats, neckcloths, stocks, scarves, bandannas &amp; ties, 1800s-1850s
•	Chapter Four
Neckwear for riding &amp; other Sports: the rise of the 'old school tie'
•	Chapter Five
Bow ties, the scarf or neckerchief, the Ascot &amp; the long Tie: 1860-1940s
•	Chapter Six
Hand-painted, square-ended &amp; couturier ties, the Kipper, artist-designed ties, Kitsch &amp; joke Ties: the 1940s-present day


</abstract>
  <subject>
    <topic>Fashion Accessories</topic>
  </subject>
  <classification authority="ddc">746.92 HAR</classification>
  <identifier type="isbn">1851772251</identifier>
  <recordInfo>
    <recordCreationDate encoding="marc">220524</recordCreationDate>
    <recordChangeDate encoding="iso8601">20250616111230.0</recordChangeDate>
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